Daily Musings

Social media has helped me a lot with my professional dance career. I do not of course depend on it, but it has for sure given me a portal through which I can interact with fellow lovers of dance which I never had before. 

I use my social media now not just to post about my dance work, but to also to use it as a way to convey my thoughts about general life, in the form of inspirational, motivational, thought-provoking quotes. Everything I post has a reason but I never share it so here goes with some of my favourites. 

‘Are you really happy or just really comfortable?’

This is the deepest question one can ask themselves. Do not settle for a life that looks good on the outside. Do not settle for a life where a roof over your head, financial security and everything materialistic are set out for you. Work for it. When you work for it and can say to yourself, ‘This is something I have built’, that is when you will feel truly happy and accomplished. Until then keep hustling. 

‘Success does not come from what you do occasionally; it comes from what you do consistently.’

Especially in the scene of performance arts I’ve come across many who pursue something for a short while and call that success. For me, success is a journey and there is no end point. You need to practice something consistently to really unleash your potential in it!

‘You can speak spiritual eloquence, pray in public, and maintain a holy appearance…but it is your behaviour that will reveal your true character.’

I call such people hypocrites. I say this very confidently because I used to be one myself. Until 2 years ago I realised I need to own up to what I really feel and act on it. It is no good saying that ‘I am this…I believe in this…’ when your actions say the complete opposite.

There are several people who just act in a way to seek public approval. With social media, the number of likes and followers seems to be used to quantify whether you are being approved by society or not.

How many of them will, including myself, actually practice what they preach?

‘Generally people like to bring up your past, when your present and future appears to be better than theirs.’

I dislike people who bring up another’s past. But now, the more they do it, the more I am like ‘Is that the only thing you have against them?’

Some people are so stuck in their bubble they refuse to accept another’s success in any way, shape or form. Therefore to bring another down they use their past.

Just think. If I did that to you? How would you feel? How ‘clean’ is your past? I can guarantee that those who act in such a way do not have the best of pasts. So if you believe you have changed, then give others the benefit of the doubt that they have changed as well. It’s that simple.

‘A private life is a happy life.’

Over the past few years I have become more and more aware of people who use social media to post about there private drama and unhappiness.

Question 1: Is posting on social media going to resolve that problem? Will it give happiness?

Question 2: Are you the only one in the world who is going through problems?

Question 3: What is the purpose of you posting your personal problems on social media? If you feel like that is giving your control over the situation, look at yourself and your attitude towards life.

Question 4: Do you actually think people care when each and everyone one of us is going through our own problems? I mean some may acknowledge by liking your post, but what does a ‘like’ mean? If a ‘like’ is the validation you need, then go ahead and keep posting. But I am secretly feeling sorry for you for reasons other than for the ones you wanted me to feel sorry for.

‘A lot of people want to make the institution of marriage a substitute for a real relationship.’

Marriage is not something which should not be a result of convenience.

Do not enter marriage because the current situation you are in warrants a marriage, so it is considered socially and culturally acceptable.

A marriage is a process which should occur at the right time, with the blessings of the right people, for the right reason which is nothing but true love!

Final thoughts:

Each of these thoughts are ones which I started to think more about based on the events which were taking place around me. I am not perfect, but I’m working on myself to think bigger and wiser so I can constantly reflect and grow myself. That is what life is about. Have a reason for every action and make sure you do not hurt anyone!

‘You are so pretty, you can become an actress’

Recently on Instagram, whilst I was browsing through my explore page, I came across a beautiful picture of a girl. Honestly, she was breath-taking and in my opinion drop dead gorgeous. What, however, concerned me massively and drove me to write this blog was one of the comments which were left on this photo – ‘you can become an actress’. For you information, the girl in the picture is not an actress and has no background in the field of drama.

I do not have much experience in the field of drama however I did complete a GCSE in Drama, and of the 13 GCSEs I sat, Drama was the one which challenged me the most. My two assessed pieces tested me in different ways. One was a play in which I had to play a 30 year old who was playing an 8 year old; basically it was a play within a play, so I had two folds of characterisations that I had to master. The second was where I had to play a teenage girl with Body Dysmorphic Disorder and how this condition escalated to psychosis which ultimately tipped her off the edge.

In addition to my own drama experience, one of my friends is a final year drama student at university and her aim is to eventually become a professional actress. I thought it would be useful for you to see how much it takes to build an acting career, whether it be part-time or full-time. She described to me how competitive the industry is and her plans for the next few years is to go to a drama school or do a Masters in Acting or get an internship somewhere, but go to acting classes on the side to hone her acting skills. She is not even sure whether she will definitely get into drama school, and on top of that she needs to get signed by an agency. It is then through her agent that she can get actual auditions and castings. This is just a summary of what she needs to achieve in the next few years in order to get one step closer to becoming an actress.

So why am I telling you all of this? Well because acting is extremely hard. Calling oneself an actor/actress is not something which happens overnight, it happens with years of training and hard work, just as with any performance art like dance or music.

Now if I talk more specifically about the South Asian film Industry, acting has become so much about girls in particular being eye-candy. This explains why the general public are also of the opinion that the Indian film industry requires good looks more than good acting skills. I personally feel it is absolutely disgusting that women are objectified to such an extent.

There are so many people at fault for the state of the Indian Film Industry, and I am not here to discuss these wider issues. All I want to say is that it is such a shame that so many individuals in westernised cultures are also falling victim to this objectification of actors and actresses (more so actresses of course).

I wanted to leave every girl and guy who aspires to be an actress or actor with one challenge. The day you strip of all your make up and style, and convince an audience that you can play characters ranging from 8 year olds all the way to 80 year olds, is when you really start showcasing your potential to act. 80% of your ability to pull off a character comes from your ability to act. The remaining 20% comes from additional factors such as: make-up, lighting, set design, camera angles, etc.

Next time you call yourself an actress or actor, really think about whether you are an actress/actor or whether you just have a passion for acting. They are two very different things!

Oh and for the general public, because I think we are all responsible for the state of the Indian film industry objectifying people, we need to stop falling victim to such daft mind-sets which are infecting the generations to come and their perception of an acting career, which I highly respect if done correctly.

Grindstone and Toe Rings – Tamil Hindu Weddings

The more I read about Tamil Hindu weddings, the more I want to read.

Such a drive is furthered by ardent readers of my blog who open up very interesting discussions after having read my posts.

One which really inspired me to write this piece was based on a discussion I had with one of my readers after they had read my ‘Time to Tie the Knot’ blog post, for which I collaborated with London’s Western Jewellers.

The question which they had posed to me was what my knowledge and understanding was of the Ammi Mithithal tradition in Tamil Hindu Weddings. My mum educated me briefly about this over the past few years but this was a mere starting point. I decided to do more reading around the area. The reason for being so keen is because I want to know the significance of it. This is part of my culture and religion, and so I should be willing to learn about it rather than just follow the instructions the priest gives me on the day of wedding (which still remains a myth in my life right now for those inquisitive ones amongst you all!).

What does Ammi Mithithal mean?

This quite literally means placing one’s foot on a grindstone. In a Tamil Hindu wedding ceremony, this takes place during the Saptapathi ritual, where the bride and groom take seven steps around the Agni (central fire) where each step denotes a promise made by both the bride and groom – Sapthapathi will be explored in further depth in my future blogs!

What does Ammi Mithithal involve?

After taking their steps around Agni, the couple reach the grindstone. The groom holds the bride’s right big toe and helps her tread and place her right foot on the grindstone. As the bride mounts the stone, it symbolises how she and the marriage should be rock firm, and undisturbed by difficulties of life.

Interestingly, this particular ritual symbolises numerous other things including the fact that by touching the bride’s feet, the groom acts with more humility and respect for his bride. This I found particularly interesting because many are always made to believe that Tamil Hindu weddings are centred around and dominated by the groom when it comes to the symbolisms. This ritual connotes the complete opposite. It actually shows how women are just as righteous as men in marriage, as is always depicted in the marriage of Lord Shiva and Goddess Parvathi.

Straight after the bride mounts the Ammi, a Metti (toe ring), is presented on both her second toes; this is the only visible jewellery worn by the bride after marriage which denotes she is married. (If you followed my previous blog about the Thali, you would remember that the Thali should actually be hidden underneath the woman’s clothing!).

These Mettis are made of silver and not gold, because of the significance gold holds in the Tamil culture and Hindu religion. Therefore there is a common practice that gold should not be worn as a form of accessory for anything below the waist. However, traditions are changing with more gold and diamond based Mettis coming to the fore.

My mum and I have numerous conversations about wedding rituals and the significance behind each stage of the Tamil Hindu Wedding ceremony. Interestingly she told me that historically men were the ones to wore the Metti post-marriage. This was because in ancient society, people walked bare feet and women were supposed to look down and walk, hence when she saw a man’s feet adorned with a Metti per foot, she would know straightaway that he was married. Do you not think it is interesting how things have changed so much now!?

Traditions are continuously changing and who knows what the Tamil Hindu Wedding rituals will look like 100 years down the line? All I know for now is that understanding what we practice and doing so properly is where the real joy and culture lies.

I started off this blog educating myself and hopefully all of you. I will continue doing so because there is no end point to educating oneself about one’s own culture, religion and traditions…so keep supporting folks!

Music has no language

Those who know me will be aware that I am a massive fan of Indian music, whether it be Tamil, Telugu, Hindi, Malayalam, or Punjabi, to name a few. Those who know me very well will know that AR Rahman is my favourite music director to date.

I was born in a decade when AR Rahman’s music was (and still is to be honest) reigning the Indian music charts – I was born in 1993, if anyone was curious.

Growing up as a toddler listening to songs from Duet, Jeans, Love Birds and Muthu for example, had a massive influence on shaping my taste in music. Growing up being exposed to multiple cultures and languages at school, and appreciating AR Rahman’s top notch work regardless of which state or country he produced for, made me appreciate music from different cultures that much more.

I am saying all of this because the AR Rahman concert which happened in July, in London, caused a lot of tension amongst the audience, and especially the non-Tamil audience, because apparently not enough Hindi songs were played. I was not present at the concert in July because of other commitments, so I am just stating what I heard and saw across social media.

What I wanted to discuss in this blog, however, was the fact that recently AR Rahman announced the dates for his concert in Canada in October. What I found shocking was that he will be hosting two separate concerts, one for Hindi music and another for Hindi music.

We can take this positively. AR Rahman has created so much music in both languages and it can be difficult to cover the best of both in one concert; so this separation might be good. However I see more issues than positives here.
Before you start thinking why I am writing about this, I realised there being an issue when I saw the responses on social media in response to this announcement of two concerts.

The one quality about AR Rahman is that he has been able to create music and touch the hearts of several cultural groups. To have all those cultural groups under one roof in the name of music is what music should be about. Creating a divide between Tamil and Hindi music puts several people in limbo: what about Tamils who enjoy his Hindi music and want to hear that, or vice versa? What about people from other cultural groups who love AR Rahman for both his Tamil and Hindi music and wanted to hear both (and seriously what are the chances that such individuals will buy tickets for both days)? Basically, by getting such individuals to choose between Tamil and Hindi, more of a rift is being created. Is this something that real music-lovers would want?

No one knows the reasons behind why such a decision was taken. If in the slightest, however, AR Rahman’s Netru Indru Naalai concert in London had a role to play in this separation, then we all should be worried. Why? Because we should be working towards breaking down cultural boundaries and inter-cultural barriers. Just when I thought we were taking a step in the right direction, we are taking two steps backwards.

Life as a Wedding Choreographer

My life as an official Wedding Choreographer started very recently.

I made the announcement on the 14th of June 2017, so today marks my new venture’s 3 month anniversary – what a journey it has been so far.

This blog is about what brought me into the realm of wedding choreography. I have then described my experiences, since June 2017, as an official Wedding Choreographer.

Life before Wedding Choreography

Before I got into Wedding Choreography, I danced for pre-wedding celebrations, weddings and wedding receptions of family and friends. I had several opportunities over the past 3 years to also choreograph for bridal fashion-shows in and outside of university. Both these opportunities made me fall in love with the wedding environment and mood that much more.

Life as a Wedding Choreographer

Since the official announcement, I have been involved with 3 weddings. Three weddings might not seem like a lot, but with the amount of time put into each with pre-planning and rehearsals means that each wedding dance can take weeks to prepare for. For this reason, I am going to discuss my experiences of each from start to finish, and how the final outcome shaped up.

Client 1 – Vanathy and Pratheepan – June 2017

DISCLAIMER – I am calling Vanathy a client for professional reasons, but let me explain that she is one my closest friends. She will literally kill me after reading this so I am attempting to protect myself now. (See below)

Vanathy has been one of my good friends since I was a teenager. She is a dancer herself and I met her through Bharathanatyam lessons. I do not want to start on the number of duos we have performed together on stage. She is definitely one of my most fun dance partners and what is more is that I literally have always seen her as my older sister.

Therefore when she decided that she wanted to dance for both her bridal entrances of her Hindu ceremony I was not surprised. My cousin and I, with Vanathy’s input of course, did the choreography together. It is definitely something very new for me and something which I have not often seen being done.

Vanathy decided on both her bridal entrances songs. The Manavarei saree entrance was to Ore Or Ooril, from Baahubali 2; the koorai saree entrance was to a religious stuthi (chant) about Lord Shiva – Suvarnamaalastuthi.

The fact that all three of us have known each other dance styles for years now meant that the choreography process was actually very straight forward. We sat down a week before the wedding, listened to songs and started the choreography process. It was a team effort for sure and that is what made it that much more fun. We all chipped in ideas and came up with the final product.

The main challenges faced was that Vanathy wanted to dance for her Manavarai Saree entrance. Why this was a challenge was because people should not think it is cheesy/cringey when the Bride dances down the aisle. Therefore, we had to ensure the choreography was simple, cultured and elegant, to reflect the atmosphere of the wedding which was very classy indeed. And of course, her Manavarei saree entrance was to a very royal song, so the choreography had to reflect this royalty.

Vanathy chose the second song, in praise of Lord Shiva. Her mum and Vanathy decided that the Koorai entrance should be to a religious song rather than to a movie-based song. Everyone loved this entrance and enjoyed the mood of the song in line with the entrance.

I loved being one of the choreographers for Vanathy’s bridal entrances. It was unique and my first experience of choreographing for Bridal entrances. I think it is fair to say that overall the bridal entrances were a massive hit and created waves across social media, which we were all very surprised yet grateful about.

Bridal entrances are a very special and exciting moment for the Bride, Groom and the rest of the family and friends attending the wedding. I hope more Brides will be brave enough to experiment with their Bridal entrances, because I believe it is something they will cherish for the rest of their lives.

Client 2 – Annaniya and Sai – August 2017

I was approached by Sai’s sister in June enquiring about wedding choreography. At the time I did know that it was for her brother and sister-in-law that she was enquiring about. Then she told me that she wanted to get first dance lessons from me, as a gift for them, which I found incredibly adorable.

After the booking was confirmed with the sister, Annaniya got in touch with me. When I asked her about what their vision was for their first dance, they knew that they wanted a traditional slow first dance to begin with and then a transition into a more funky segment with elements of Tamil music.

My initial role was to create a playlist of possible songs. The list was not set in stone. It was more a starting point for them. They could obviously have chosen from those songs, but my idea was that it would give them some inspiration as to what songs to choose, so below are the songs they finalised:

Perfect by Ed Sheeran
Drake – Controlla (90’s Tamil Medley) – Mashup cover by Inno Genga

They had chosen two very different styles of songs which obviously made it that much more of a unique experience for me as a choreographer. They were extremely focused and really wanted to make this first dance a special one. I gave them a lot of leeway to make the dance their own. They wanted lifts, spins and slow dance elements which were all incorporated, but ultimately I told them, what I teach them is a guidance and if they want to add or take anything away, that is entirely their choice and I will help them master the changes. They enjoyed the original choreography I taught them and stuck by and their dedication shone through: within 2 hours of rehearsals, they had mastered the routine.

Client 2 – Deanusa’s Brother’s reception family dance – September 2017

Deanusa is actually my first official client because she contacted me about choreographing a family dance for her and her friends, for her brother’s wedding reception, even before I made my official announcement as a Wedding Choreographer. However, I ranked my clients in order of the event dates hence she is ranked as my most recent one.

I found working with Deanusa and her friends a very interesting and fun experience. They knew exactly what they wanted and gave me a list of songs with the timings and the order in which they wanted it to feature in the final mix.

My initial responsibility was actually to listen to all the songs and gage an understanding of the whole mood of what they wanted for their performance. I then made a few suggestions about other songs they could consider as well which they gladly took into consideration.

When the final set of songs were confirmed, I started working on the mix – yes I can make basic mixes on my own, and am gradually improving my ability to do so. After the mix was confirmed, we commenced on rehearsals. Below are the songs they danced to:

Desingu Raja from Thavasi
Jallakku Jallakku from Endrendrum Kadhal
Chottu Chottu from Taj Mahal
Rasika from Star
Pinga from Bajirao Mastani
Radhai Manathil from Snehithiye
Chinna Nam Veetukku from Poovellam Un Vaasam

I had to spend the first rehearsal teaching them a simple choreography from their routine. I used this time to gage their dancing skill level. Based on this I then shaped the rest of the choreography. I ultimately wanted the girls to feel comfortable and enjoy the dance piece they were going to perform, which they did feel very much.

Even though I did all the choreography, the girls had their own input. If they wanted certain things in the choreography for example using props, they let me know and I would change it up to suit their needs accordingly. Ultimately, client satisfaction is key. It is their event, it is their dance, so the choreography needs to reflect them.

As a business venture so far…

Unlike many other wedding businesses, I am the product of my business. I do not have materials to sell; I am selling my services as a dancer and choreographer to couples who will require it for their big day. My business model is me. I do not have products to put faith into. I have to put faith into myself and my skills as a dancer and choreographer.

Yes this can put pressure on me to utilise my skill set maximally yet efficiently. However, it gives me that much more control of the whole situation and stretches me to an extent that I can learn that much more.

The past three weddings I have worked on have been very different learning experiences which I have enjoyed so much for various reasons. I love what I do and I realised how much I actually love connecting with people through dance. Working with individuals who have little to no prior dance experience is where the challenge yet fun lies for me, because it pushes me to go beyond just teaching dance. It is predominantly about building a rapport which will make my clients feel comfortable to dance. The choreography does not have to be complex at all; the real success lies in giving individuals, who have never danced before, the courage to do it confidently in front of an audience which comprises of their family and friends, which I find to be the hardest audience to perform for.

What I have found most rewarding is that as a Wedding Choreographer you get to know the clients on a more personal level than just seeing them on the day. When I work with individuals who have never danced, I am bringing out something which they may not be too comfortable with – their ability to dance. It is through this process that you get to connect to a client on a personal level and build a rapport which I do not think can be brought out with several of the other wedding businesses.

Being a Wedding Choreographer is not just about choreographing and teaching. It is about guiding, motivating and of course doing a lot of pre-preparation so the couple are given a wide range of options to choose from with regards to songs, final mixes and of course choreography. Well this is how I have structured my business model because I work to give all the freedom to my clients. It is their wedding at the end of the day. I am merely there for professional guidance and support.

Three months into the business, I am proud of the opportunities which have come my way. I am happy about my clients and the responses I have got from them, and of course I am grateful about the support I have got from my friends and family.

Let’s continue this journey onwards and upwards from here.

Time To Tie The Knot

Please do not get shocked. I am not getting married and will not be getting married anytime soon! However I am a Tamil girl, which means that in the future I am bound to get married.

Over the past three to four years I have been involved in the wedding industry. Initially I started off helping out with wedding exhibitions and fashion shows but now, as most of you know, I have started my own venture into establishing Wedding Choreography as an entity of its own, combining my passion for dance with that of my love for weddings!

As I have been working with couples and families with regards to their weddings’ or their relatives’ weddings, I have become deeply involved and more interested in the traditions which lie embedded in these weddings. One which is key for all Tamil weddings is the tying of the sacred Thali (described below).

I wanted to find out more about the Thali and its importance. I think knowledge is vital; it may not be useful for the here and now, but one day it will prove to be our biggest weapon and for that reason I let my inquisitive mind wonder. This led to me contacting one of the most popular and one of my favourite Tamil jewellers in London, Western Jewellers – I say favourite because ever since I became aware of the world, they have been the go-to place for my family. Additionally, what inspired me to write this and contact Western Jewellers in particular was the fact that I saw their work online and was stunned by the creative and stunning work in the realm of Thalis. With over 20 years of experience in the field of gold jewellery and Thalis, who else could I have asked to educate me about it. What I revered greatly was how cultural and traditional ideals were always core to their unique pieces.

Therefore, I decided to pose a series of questions to Western Jewellers about the Thali and their experiences of making them. I have learnt so much and I hope you will find this just as educational as I have done.

(For your information, I was not paid by anyone to write this piece. I have done it of my own accord because I love my Tamil culture and tradition; I wanted to know more about it and wanted to be involved in writing something which would educate and inform others as well).

What is a Thali and what is its significance?

“A Thali is a spiritual ornament for marriage that marks love, respect and dignity. It is a bridal pendent presented to the wife by her husband during an auspicious time on their wedding day. Every Thali needs a Kodi, which is woven gold thread that holds the Thali. Together, the ‘Thali Kodi’ makes an auspicious gold thread which holds religious symbolism in Hindu and Christian culture.”

What are the different types of Thali? What do each of these types represent?

“There are numerous types of Thalis available for various communities however the most common Thalis we make are the Kombu, Amman and Christian Thalis.

“The Kombu Thali is made when the Bride and Groom’s astrological charts match. If you notice carefully the Kombu Thali is in the shape of the groom himself. For this reason, during the Ponurukkal (an occasion when the gold used to make the Thali is melted), the groom will be present to sign to the gods that he will love, look after and cherish his bride till the end. Then during the Wedding ceremony, the Bride and Groom unite when the Thali is tied across her neck by the Groom showcasing that he will guard her for the rest of her life.

“The Amman Thali is used by Tamil Hindus in the instance that the Bride and Groom’s astrological charts do not match or have not been looked into. This is particularly seen in, what Tamils call, ‘love marriages. Amman is the symbol which is seen on the Thali.

“The Christian Thali has the same quality as the Kombu and Amman Thali, but differentiate its shape and symbols. Most of the Christian Thalis will have the three precious symbols which are: The Bible, the Holy Dove, the Holy Cross.”

Can you tell me a bit about the ‘Ponnurukkal’ ceremony?

“An auspicious day and time is selected by a family astrologer or priest for a gold melting ceremony otherwise known as the ‘Ponnurukkal’ ceremony or ‘Ponnurukku’. This takes place before the main wedding day. The ‘Ponnurukku’ is conducted by the groom’s family and is witnessed by family and friends at home. The bride-to-be is not present. According to Tamil traditions, the Thali is handcrafted by a gold smith that is happily married with a united family.

“The ‘Ponnurukku’ begins with the breaking of a coconut, followed by a embedding a gold coin in milk. The symbolic moment is when the gold coin is melted. It is thought that the rounder the coin is shaped, the better it is for the couple. The guests are then asked to bless the melted gold. A tree is then planted in the garden of the groom’s home to symbolise the couple’s life together. Vegetarian food is then served to the guests to mark the start of wedding celebrations. From this day, the couple are traditionally not meant to see each other until their wedding day.”

What is the most creative/interesting Thali you have made and why?

“The most creative Thali made at Western Jewellers was a white gold Thali. We were the first to design a white gold Thali in the world. It goes without say that it was challenging to make but was definitely worth it. We had to train Italian gold smiths – the masters of white gold – to make the Thali Kodi to perfection.

“This year at Western Jewellers, we decided to bring ancient traditions of the gold melting ceremony and Thali making from start to finish in the comfort of your own home. This took approximately 6-7 hours of hand craftsmanship but also allowed family and friends to witness the making from start to finish.”

I just wanted to add here that if you have been up-to-date with their recent work, they have created the world’s first rose gold thali a few weeks ago!

How much do the younger generation know about Thalis, if anything? Why is this the case?

“Here at Western Jewellers, we have been handcrafting Thali Kodis for over 20 years therefore have seen the Sri Lankan Tamil community still observing many ancient traditions during their matrimonial ceremonies which are to be followed by the Bride and Groom. The younger generations continually show an active interest to understand the symbolism behind the Thali. We have also found mixed religion marriages are more open to keeping the sacred Thali as a symbolic bridal Gold thread.

“As we live in a westernised society, we have seen many customers modifying their Thali Kodis with diamonds or gems to keep up with current trends. We thoroughly enjoy welcoming the younger generation to explain the ancient traditions followed thousands of years ago by their ancestors but also are intrigued to making more creative Thalis in the years to come.”

What are your thoughts about the ‘Manjal Kayiru’ (a yellow thread) instead of the Thali Kodi (gold chain)?

“The ‘Manjal kayiru’ is more for the south India Community. At Western Jewellers, we have created a similar Thali chain called the South Style.

“The ‘Manjal Kayiru’ was mainly used in the olden days to tie the three knots, whereas in the past 100 years there has been a rise in the screw-based Kodis. The South Indian Community uses the ‘Manjal Kayiru’ for the first year of their marriage after which they will change it into a gold chain.”

So…how interesting was that?! I have learnt so much and I hope you all feel that much more thrilled and informed after having read this.

I personally did some reading before and after reading these responses from Western Jewellers, and also had a chat with mum about what she knew about the Thali. In addition to everything mentioned above, one point which she told me about was how the Thali, when worn, should be tucked inside and should not meet another Thali. There are two reasons for this. The first is the belief that when the gold from the Thali touches the woman’s skin, it is meant to be very beneficial for her health. Secondly, there is a common belief that when one Thali meets another, apparently one has the possibility to cast an evil eye on the other; at the end of the day we are talking about religious jewellery and religious beliefs. To what extent this is correct, I do not know, and I will take more time to find out. For the time being, however, the main learning point for me is that the Thali has to be taken care of all year round and thought has to be put into why and how it is worn.

I believe in making the Thali significant to oneself, but one should never lose sight of the traditions and values which are behind it. It is not a fashion statement; it is a symbol of religion, culture, tradition and love.

Of course, if you want more information about Thalis and are looking for people to make your Thalis, do not hesitate to contact Western Jewellers. I would like obviously like to thank the team for agreeing to be a part of my infinite journey blog and for working with me to get this write up done.

#HustleHard

This piece is a short one.

I am back at University and I have officially started my final year as a medical student.

Just as much as I am excited, I am nervous. I need to get through this last leg before I start an infinite journey into the real world of medicine, being a doctor, and continuing as a dancer.

I am even more excited, yet nervous about my responsibility to balance my profession and passion, which reside in both medicine and dance.

So here’s to a new year of excitement, challenges and learning opportunities!

Gratitude

Hello all,

I’m sat in my car, early for wedding dance rehearsals, and thought to write something.

I am grateful for life. I am grateful about every single human being who is in my life right now. I have emotional ups and downs but the people who keep me grounded and sane are the reasons why I always bounce back stronger.

Yes my mind goes astray always, but the fact that I am able to think straight at all times is because of the love and support people around me give.

I am happy about the life I am building. It is no where near complete and it will never be complete, but I am working towards something always.

I have had a recent revelation. I have started to appreciate myself so much more because if you strip away all my material possessions, I have several things that still define me. That in itself shows how hard I’ve worked ever since I remember.

I still have a long way to go, and I am going to keep pushing. The day I realised that I am more than just defined by the people I am with, or the possessions I hold, was the day I really started to appreciate how valuable I am as a human.

Always grateful for all those who have helped me get to where I am now. I pray that they always stick by me no matter what.

Lots of Love,
Praveena

‘Fake’

So I am one of the wider global Tamil fraternity who watches the new Bigg Boss Tamil. There have been mixed reviews about the whole show, but I am not here to provide my review on it. All I am going to say is that I very much enjoy watching the show, and it is another great platform through which I can analyse human behaviour.

This post is about one constantly spoken concept by the participants of the show – being ‘fake’. Everyone seems to claim that everyone is ‘fake’ on the show. This made me think deeper about what ‘fake’ actually means, and when we can actually call one ‘fake’.

There is a general consensus that being ‘fake’ means that one is not being genuine, which I agree with. What I do not agree with is to call someone fake without having real knowledge of how they are in person.

This term is a very negative one which really has the ability to bring one’s confidence down. To therefore constantly use it to describe someone is horrible. However, what I find most shocking is that the participants are so easy to judge another and easily disregard another’s whole personality as being ‘fake’ just because they do not conform with what they believe is right or with the people they are used to interacting with.

I believe that calling someone ‘fake’ is harsh, but it is especially so when you hardly know the person. How can you call someone ‘fake’ when you do not know them well? One needs to accept that individuals act differently with different people. No one person has the same relationship with two people. Therefore I believe it is wrong to completely disregard their personality using one very pathetic word.

No one is perfect, so instead of hammering an individual down for it, help them to the best of your ability to grow and improve themselves rather than impose labels on them.

‘I am not be perfect but at least I am not fake’ – Thought for the day!

The Challenges of Instagram

Those of you who know me well will know that I do love sharing key moments of my life, and particularly on Instagram – I have done so for several years now.

I have had a private instagram account for just over 4 years now – @praveena_pranavarooban. I call this account my private account because:

1) I follow and am followed by people I know very well and on a personal level – friends, cousins, etc.

2) I post more personal aspects of my life on that profile – my parents, my extended family, my relationship, my social life, etc.

So now I wanted to discuss the purpose of my public account and how the aims of it changed overtime:

Initial aims of my public profile and PraveenaUK:

• Strictly for dance – to show that I am a dancer and wanted a platform to share my love for dance – whether it be through photos or videos
• Should post nothing aside from my solo stuff and achievements
• Dance covers
• No family
• No friends
• No relationships
• Nothing about any other people around me

Aims of my public profile and PraveenaUK:

• Motivate
• Inspire
• Business profile – a medium through which people can enquire and book for wedding choreography
• Showcase shades of my personal day to day life by sharing stuff about me – what I am up to; my love for reading, books, sarees; the positive people around me – my dance teams, friends I made through dance, some of my closest friends, my work/business teams, my sister
• A dance and personal portfolio
• Still will protect my parents because they are not used to the impact of being in the public eye and they are not a massive fan of it, which I completely respect – so no parents and extended family members (unless they are dancers)
• No relationships

I met up with a friend of mine recently, and she asked me what the reasoning behind this gradual change in the nature my posts on my public account was. She had noticed that it was becoming more personal now and asked me what the reason behind this was.

[I am very glad to be surrounded by people who question my every action. Such friends make me think, push me, keep me grounded and help me stay focused].

So back to her question. The reason my public account has started to become a little more personal is because I believe that people are now aware that I am a dancer. There is no need for me to keep showcasing that I am. Now it is time people get to see the person behind ‘Praveena UK’.

I like posting about my team members now (whether it be dance or business), because they are individuals who have taught me so much about dance, and how to conduct myself as a dancer and choreographer. They are a family whom I feel blessed to have gained.

I am in the process now of creating a correct balance between showcasing my professional and personal life. I am certainly more focused on giving more importance to my professional life than personal, but I do not want people to neglect the fact that I am human. I do have a personal life and in the correct doses, it will add a lot of value to my professional brand.

Every person who I share on my public profile are people who have contributed to shaping me as a dancer, choreographer, blogger and the human being that I am today.